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Fade of the Day – Pure Blue Japan XX-015 (2 Years, 4 Washes)

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When you wear the same pair of jeans every day of the week until they are thrashed so hard that they physically cannot be worn any longer, it’s time to make a choice. Either get a new pair of jeans or hand them off to the denim experts for surgery. Tyler from Indigo Proof was kind enough to give us the full story on this pair of Pure Blue Japan XX-015‘s.

All truths told we have actually featured this pair of jeans before. You would never know it though as they have gone through such major structural changes in the last year alone that they look like a completely different pair of jeans.

The photos you see now were taken before and after their third trip in for repairs, and if you look closely you might find more darning and stitching than actual denim. The fades are heavy throughout, and there’s no doubt in my mind that this owner isn’t throwing in the towel anytime soon. Denim Frankenstein lives!

For more information on Indigo Proof and their repair services, head over to their website.

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Fade of the Day – Sage Highlander Special Roll (11 Months, 4 Washes, 3 Soaks)

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Seems our readers in Indonesia have a good thing going with Sage Denim, for this FoTD feature it’s the heavyweight Highlander Special Roll courtesy of Giffary Argyarama.

Unlike most, he’s put these Highlanders through the wash four times, along with three soaks, in less than a year. This has likely contributed to the consistency of the fade, the dye doing a great job of holding, giving them a vibrant indigo hue. The creases are subtle in the lap, whereas the combs are somewhat more detailed and scattered. Overall, a wonderfully faded pair of jeans that should develop evern more with time.

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Fade of the Day – Gap 1969 Slim Fit Japanese Selvedge (2 Years, 3 Months, 1 Wash, 1 Soak)

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Judging by his submission alone, it’s easy to tell right off the bat that Nathan Leu has an extremely high attention to detail. If the perfectly modeled before and after photos didn’t translate that, allow us to relay his story on this pair of Gap 1969 jeans.

For the past two years and three months, Nathan wore these jeans all over the world from his home base in Houston, TX all the way to Europe, Canada, Panama, China, and more. He learned a lot along the way, including how often (or not) to wash his jeans, and so far he’s only given these one wash and soak in all their travels – and the results show it!

What was once a thick, dark indigo has lightened all around to a really nice shade of blue with all the whiskers and honeycombs to match. Having picked up another pair of jeans along the way, these 1969’s don’t see as much action as they used to but he tells us he will keep them as his go-to beaters from here on out.

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Fade of the Day – The Flat Head 8002 (1 Year, 2 Months, 2 Washes)

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Jeans were originally made as pure workwear, and today’s Fade of the Day shows why. This incredible pair of Flat Head 8002 18oz. jeans come to us from a Bangkok-based reader, Peera Tarnoi (@tarptar on Instagram, TarAkatsuki on Facebook).

Peera says he wore these jeans every day to his construction and equipment transportation job, as well while traveling. Factor in Thailand’s heat and humidity and you have yourself a winning combo. There’s very little keeping these from being a Fade Friday in the very near future.

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Fade Friday – Unbranded UB122 (1 Year, 10 Months, 2 Washes, 2 Soaks)

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Noorsyazwan Sumsudin has been rocking his Unbranded UB122‘s for nearly two years and has put these jeans through their paces. Only a couple washes and soaks have been recorded, including a sea wash in Bali, which have all aided in developing deep and pronounced fades. The highly contrasting honeycombs in particular are tightly stacked and well defined with some light whiskering, too.

The fairly consistent loss of indigo throughout makes it difficult to argue with the notion that heavier denim generates better fades. Perhaps daily wear in the humidity of Singapore adds to the equation, but overall these Fade Friday jeans are certainly something Noorsyazwan can be proud of.

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Fade of the Day – PMP Overalls 6603XX (1 Year, 5 Months, 2 Washes, 1 Soak)

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Farid Hardiansyah is the proud owner of the 13.5 oz. 6603XX selvedge denim from Indonesia’s Pot Meets Pop Overalls (a.k.a. PMP Overalls). After slightly less than a year and a half, he’s managed to put some incredible fades into the indigo, due to nothing other than simple daily wear around town and attending college.

Only two washes and a soak have been recorded with the whiskering and honeycomb details standing out prominently. What makes these particular jeans so unique is how incredibly neppy the fabric is. Don’t believe us? Check the close-up image Farid provided.

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Fade of the Day – Levi’s Trucker Jacket (4 Years, 6 Months, 1 Wash)

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Courtesy of NYC’s Lenny Harrington, today’s FotD showcases a classic Levi’s Trucker jacket belonging after four and a half years of hard wear and some incredible fades to match. So far the jacket hasn’t seen much in the way of washes and soaks but does occasionally encounter water in the form of rain.

The sleeve honeycombs are nicely stacked with great creases on the back panels. It really is hard to believe the dye has faded so much, especially in the elbows, but it’s consistent throughout and gives the jacket a look that the washed, off-the-rack counterparts can only attempt to achieve.

With Fall upon us, Lenny will no doubt be putting many more miles into this awesome jacket.

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Non-Selvedge Denim Jeans – Five Plus One

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Five Plus One is our weekly series of buyer’s guides. We pick a specific category and dig up five great options along with one that’s a little outside the norm.


Normally, we’re all about selvedge denim, but not this week. There are thousands of amazing pairs of selvedge jeans out there, but they aren’t the only quality options on the market.

There are many valid reasons to prefer non-selvedge denim to selvedge denim; the fabric can be made more cost effectively, it can be difficult to have a visible selvedge ID on highly tapered jeans, or simply for personal preference. Although many assume that high tier jean brands use selvedge denim exclusively, many offer the same high quality pairs made from non-selvedge denim.

1) Levi’s: 501 Shrink to Fit in Rigid Indigo

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Sometimes you just can’t beat the classics. Levi’s 501 Shrink to Fit jeans might not be the most extravagant pair of denim, but they offer a great bang for your buck. Made from a mid-weight unsanforized denim, these jeans are the perfect introduction to the world of rawdenim. Or for your seasoned denimheads, they’re a great way to add a classically styled pair of jeans to your wardrobe without breaking the bank on another pair.

Available for $60 from Levi’s.

2) Japan Blue: JB0416GRY Jazz Nep

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Japan Blue’s JB0416GRY Jazz Neps are far from classic, but that doesn’t mean they’re not a great pair of jeans. The fabric they are made from is made of a unique blend of cotton, acrylic, wool, nylon, and polyester; the warp threads are grey while the weft threads are black, and colorful neps are present through the fabric. Such non-traditional fabrics are usually produced as non-selvedge, which is why Japan Blue used a felled outseam to keep these jeans looking clean.

Available for $128 from Denimio.

3) Burgus Plus: 740-ST

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It’s rare to see raw denim without selvedge these days, and even rarer to see it without a button fly. But that didn’t stop Burgus Plus from producing the 740-ST, a simplistic pair of non-selvedge zip-fly jeans. It can be difficult to design a pattern for a skinny or highly tapered jeans that still has an exposed selvedge outseam, which is why many companies produce such jeans with non-selvedge fabric. That said, with such a narrow leg opening were you really planning to cuff them in the first place? Let those stacks fall where they may!

Available for $133 from Denimio.

4) Iron Heart: IH-634 21Oz.

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Iron Heart is known made for making jeans from heavyweight denim that can stand up to anything. Due to the high cost of producing such fabrics and the added labor required to sew it, their jeans are too pricy for many people. The IH-634 21Oz. is produced from a non-selvedge denim, which helps to make the price a bit more palatable. Produced to the same high standards as all of Iron Heart’s products, you won’t be disappointed in this pair.

Available for $275 from Iron Heart UK.

5) Naked and Famous: Skinny Guy – Lightweight Indigo/Indigo

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Naked and Famous is known as a brand that constantly pushes the envelope in terms what can be done with denim. From heavyweight to scented and stainless steel to cashmere, they’ve done it all. Their Lightweight Indigo/Indigo jeans add yet denim to their repertoire, perfect for spring and summer, or warmer autumn days. Indigo/indigo denim as been all the rage lately, as the fades that develop will contrast even more heavily against the darker-than-usual indigo hue of the fabric. These non-selvedge jeans are the perfect way to jump into the fad without having to drop a few hundred dollars.

Available for $56 from Tate & Yoko.

Plus One – Kapital: No. KAP-27 Century Denim Okabilly Jeans

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Kapital’s products definitely aren’t for everyone, but they certainly break up the monotony that often plagues the fashion industry. Their KAP-27 Century Denim Okabilly jeans are produced from a sumi-ink dyed denim, which has been made even more unique with the addition of indigo sashiko stitching throughout the fabric. They might not be your everyday pair of jeans, but Kapital knows how to pile the cool details into a garment.

Available for $340 from Blue in Green SOHO.

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Fade of the Day – A.P.C. Petit Standard (2 Years, 1 Month, 1 Wash, 2 Soaks)

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It’s easy to overlook some brands sometimes in our pursuit of the best, but there’s always surprises out there, like today’s Fade of the Day. This pair of A.P.C. Petit Standard comes to us from reader Fuad Sulaiman of Singapore. He didn’t do anything wild to get these fades, he just wore his jeans to school and work for the past two years and change. Notice the subtlety of the whiskers, with the nice V-shaped fade under the left pocket, or the way the honeycombs wrap around so well to the front of the knee. There’s certainly a lot of great fading going on here for the keen-eyed to admire!

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Fade of the Day – Iron Heart IH-666-UHR (6 Months, 2 Washes, 2 Soaks)

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After just six months of daily utilitarian wear, Anthony Frazier has put some serious fades into his 21/23oz Iron Heart IH-666-UHR selvedge jeans. In a short time, he’s washed them twice with two additional soaks, which has arguably helped to create consistent fades and heavy loss of dye in certain areas.

The combs are starting to develop nicely as are the whiskers in the lap. Also notable are the mobile phone and wallet fades which add character to these heavyweight jeans.

Although the crotch will be heading in for repairs soon, we’re seeing a solid pair of jeans that have been through the wringer and still have a healthy life ahead.

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Fade of the Day – Rogue Territory Stanton (3.5 Years, 4 Washes)

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A fairly standard pair of Rogue Territory Stanton’s with some heavy fades makes the cut for this installment of FotD. Worn by Ben Bauduin of Los Angeles, these three and half-year-old jeans have undoubtedly seen their fair share of action. And judging by the blown out pocket, his phone has seen just as much use.

The whiskers that have formed give some great definition to the jeans and the crisp honeycombs speak to a life lived to the full. Four washes have been recorded thus far and it would seem that despite significant loss of dye, these Stanton’s aren’t going to be replaced anytime soon.

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Type II Denim Jackets – Five Plus One

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Five Plus One is our weekly series of buyer’s guides. We take one item in a given category and explore five great options plus one more that’s a little outside the norm.


The Type II denim jacket is a bit of an odd duck in jeans history. Levi’s only produced the model number 507XX Type II for less than a decade, between 1953 and 1962, before it was replaced by the iconic Type III trucker jacket we all know today, but that brief period left a strong impression on vintage collectors and repro brands alike.

The Type II was only a modest improvement of the Type I jacket, which reigned from 1906-1952, the most notable addition being a second pocket and side tabs, while the knife pleats and boxy fit remained unchanged.

It seems though many of the Japanese denim brands prioritize a Type II repro before considering the more prevalent Type III and below we have some of our favorite offerings, including one a bit more out there.

1. Levi’s Vintage Clothing: 1953 Type II Jacket in Rigid

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First up, we have the original–errr, the repro of the original made by the original–old style Levi’s made by Levi’s archival division, Levi’s Vintage Clothing. The design team at LVC goes to extreme lengths working from original pieces to reproduce every detail, stitch, and fabric character to produce a nearly one-to-one identical piece. This one happened to pick the inaugural year of the Type II, 1953, and it’s as close as you’ll get to stepping into a time machine and buying one yourself.

Available for $385 at Levi’s.

2. Oni Denim 02517GCKHN 16oz. Kihannen 2nd Type Denim Jacket

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They say the devil is in the details, and that’s certainly true at Oni Denim. The name of the brand means “demon” in Japanese and the devils that work there are notoriously secretive about their craft. One thing that’s not secret, though, is how good of a product they make. Oni constructs their Type II out of a green cast 16oz., which is slubby and irregular as hell, and they’re free to mix time periods as this jacket incorporates donut “peace laurel” buttons that were popular with material rations in WWII.

Get the devil on your back for $271 at Denimio.

3. Sugar Cane 1953 Type II Unsanforized Raw Denim Jacket – Modified Length

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One thing you might notice from old photos is that people used to wear their pants a lot higher, practically at navel-level. As a consequence, jackets were cut much higher to match. For those that don’t go all the way with their repro, that has lead to some unfortunate denim-bare midriffs. Have no fear, Sugar Cane is here to cover you up with a pitch-perfect Type II that’s just a little bit longer in the body. Make sure you size it extra long though, this one’s a shrinker.

Available for $240 at Self Edge.

4. Fullcount 15.5oz. Type 2 Selvedge Denim Jacket

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Sometimes you travel all over the world to find the best, when it turns out it was right at home the whole time. This was NOT the case for Mikiharu Tsujita of Fullcount & Co., the mastermind behind one of Japan’s first repro denim brands. Mikiharu traveled all the way to Zimbabwe to find the longest staple, most luxurious cotton to use in his denim, which you can find on his version of the Type II jacket above.

Available for $275 at Okayama Denim.

5. Eternal 886 2nd Type Denim Jacket

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Okay, some of you have probably gotten to this point and thought, “he’s just posting different photos of the same jacket over and over again! All these different companies can’t seriously make the exact same thing?!” I assure you, I am not and I assure you, yes they are, but it’s not hard to come to that conclusion. The way you put together a repro piece is similar to making a hamburger, it’s gonna have a bun and a patty and probably some cheese and onions. The constituent parts aren’t important, it’s about what makes them tick–but where did the onions come from, what kind of knife was used to cut them, was the harvester that picked them running diesel or gasoline? THESE ARE LEGITIMATELY ANALOGOUS QUESTIONS TO THE DENIM COMMUNITY. For example, this jacket from Eternal, is a little bit of a “hot take” on the Type II because it has tonal buttonhole stitching.

Be a rebel for $250 at Denimio.

Plus One – Studio D’Artisan No. D4385AI
Hand Dyed Natural Indigo 2nd Type Jacket

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So we’ve reached the final boss as it were of Type II-land. Studio D’artisan is not a brand known for half measures, and their top contender, the D4385AI goes all the way. Yes, it has all the expected pieces of a Type II, but take a look at that denim. Where most of the jackets on this list–very nice jackets–have inky dark denims you can barely see through, this one looks like the surface of a peaceful mountain brook, rolling and bubbling away into an overpriced water bottle. That deep color comes from using natural plant indigo, a process that takes months to ferment and dye properly. This Type II is so nice they should call it a Type IV.

Go blue for $700 green at Blue in Green.

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JWJ Brand Interview: Jose Pepin and Jose Luis Vives

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The best artisans are born out of a passion that can cross decades, borders, and regime changes. The origins of Spain’s own JWJ brand has weathered all three and seems only become stronger for it.

The recent denim brand is the project of uncle and nephew Jose Luis and Jose Pepin Vives. The pair have had a lifelong love of denim (although one’s life has been a lot longer), which they’ve translated into a brand that’s combined their passion for early American workwear with their own culture of artisanal textiles and tailoring in Mallorca, Spain.

We had the chance to chat with the pair about their personal story and how it led them to create their dream of JWJ.

JWJ Brand Jose Luis and Jose Pepin Vives

Heddels (David Shuck): Where did you first encounter denim growing up in Spain?

JWJ: We have always had our own denim culture in Spain. We’ve been wearing selvedge denim such as Levi’s, Momotaro, etc, and collecting vintage clothing for a long time. We’d been thinking for a while about creating a clothing collection based on workers’ apparel in nineteenth century Brazil.

The problems we faced in making and finding the right fabric, led us to the world of denim, which we already felt part of. Meeting our friend Iu Franquesa (of Companion Denim), whose inside-out knowledge of the industry was the verification that another world of denim was possible in Spain. As a result of this, we began to design our clothing always reinventing old designs and adapting them to our personal taste.

H: How does the generational difference between the two of you influence how you design? Do you have different appreciations at different stages in life?

JWJ: Actually, there are no big differences in our appreciations, as our sources originate in the past. Design inspired by historical roots follows a narrow path which is by no means less interesting because it makes you delve into the details. The cut and texture of the fabric, the precise stitching process, the production technique, etc.

Jose Luis at work in the JWJ Brand studio.

H: Does the Vives family have more involvement in clothing than just the two of you?

JWJ: We are the first in the family to get into clothing design and production, although all of us feel a great affinity with clothes.

H: Tell me more about the silk-blend ikat looms you have in Mallorca:  Where did you first discover them? Was it difficult making them work again?

JWJ: This is an endangered jewel. There was a great tradition of looms in Mallorca, which was at its height during the second industrial revolution, in the middle of the nineteenth century. In fact, this preparation technique arrived in Mallorca in the eighteenth century from France and Italy, having been brought from India by way of the Silk Route.

Silk-blend ikat loom

They are the last looms in Europe which maintain the tradition of the Ikat weave. However, the cloth that they produce is for interior design, not clothing. This cloth is usually made from cotton, but the linen/silk mix is of the highest quality. Watching how they produce this cloth, slowly on such narrow looms, is like a journey back in time.

H: Your products are distinctly old world, with details like cinch-backs, sewn pleats, and embroidery. What are your inspirations? What eras and places and cultures do you try to bring in to JWJ?

JWJ: Our inspiration comes from workers’ and sporting apparel in 19th and 20th century America and Europe. We strive to give a certain elegance to the cut. Our trousers are high rise. We never came across low rise trousers in our research, although they are more easily adapted to all fits.

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H: Tell me more about sourcing–I believe all of your denim comes from Nihon Menpu Mills, including their highly sought after Hemp blend denim. Why did you choose to source these fabrics and what does Japanese denim mean to you?

JWJ: Not all our denim is Nihon Menpu, but it’s the mill whose products we have most affinity with. It’s the mill that conveys the greatest unassuming charm and authenticity to the touch. We prefer cloth with more “life” and which looks less uniform. Japanese denim is a happy resurrection of the ancient  spirit, which can only be carried out by a people with such great love for perfection and craft. I believe that our denim used in the El Patrón jacket is proof of this. Natural indigo mixture of natural fibres, etc, proves this point.

JWJ Brand's El Patrón jacket using Sugar Cane denim.

JWJ Brand’s El Patrón jacket using Sugar Cane denim.

Some denim is Italian but we always select it following our original criteria. Candiani and Berto, more crafted and exclusive, make a highly regarded selvedge denim.

H: What does JWJ the name mean? What does “Just Wear Jackets”/ “Just Wear Jeans” mean to you?

JWJ: JWJ is a mixture of our initials which coincide, a little play on the letters JV+JV=JWJ.

The rest came from a brainstorming session with a friend, but it reflects our daily reality, we wear jeans practically 100% of the time.

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H: Who is the JWJ customer? Who are you trying to reach with your products?

JWJ: Our customer is a denim addict, who appreciates heritage design, which we always research. This customer also appreciates a carefully crafted product made with a selection of the best denim.

H: All of your products are currently made in Barcelona. Was it difficult to find a production facility and sewers that could make what you wanted in your home country? Why was it important for you to make your clothing in Spain?

JWJ: We spent months looking for a manufacturer who met the levels of perfection that we sought after (as far as possible). The small and precise stitching found on the curve of the pockets, for example, the lining of the garments and other details such as the thread and the hardware, are from our point of view, essential.

For us it’s important to create employment in our country, especially in the present economic situation. Barcelona is a city with a great textile tradition. We adhere to the principle of ethically produced products.

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H: Do you see Spain as a place for future denim brands and artisans?

JWJ: Well, the seed is always ready to be sown. It depends whether it falls in soil readied by passion for denim.

H: Thank you for your time.


Find out more about JWJ via the brand’s website.

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Fade of the Day – Naked & Famous Weird Guy Deep Indigo Selvedge (1.5 Years, 4 Washes)

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“Deep Indigo” is a daunting term to face when attempting to achieve fade glory, as is evident with today’s Fade of the Day submission. Joe Skutnik from Massachusetts was up to the challenge when he bought this pair of Naked & Famous Weird Guy Deep Indigo Selvedge jeans and has been working on making them not-so-deep over the last year and a half.

Most of his fade battles were waged at his warehouse job every week, spent getting dirty and also getting caught up in the occasional pallet (see stitched up leg repairs for more evidence). It seems he has made it over the hump and is really starting to achieve some noteworthy fades in the thighs, knees, and seat. He has had to make one blown-out crotch repair thus far, and will most likely have to deal with some honeycomb breakage soon but until then, keep these suckers going. We look forward to seeing them in another year!

If you want to check out some of Joe’s electronic music endeavors, you can head over to his YouTube Channel.

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Fade Friday – A.P.C. New Standard (2 Years, 7 Months, 7 Washes, 6 Soaks)

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We can all remember our very first pair of raw denim like it was yesterday: the excitement, the excruciating wait for fades, and being confused as to when and how to wash the things. This week we present reader Neihthan Nguyen of Vietnam’s first pair of raw denim, a shredded and well-faded pair of A.P.C. New Standards.

Neihthan has worn these jeans for about 2.5 years pretty regularly, and it shows; check out the tearing and fraying on the knees, thighs, and even the train tracks. To say these jeans have faded impressively is an understatement!

In fact, everything from the whiskers, thighs, honeycombs and back pockets is as defined as can be. These will soon get some repairs and then put into storage as Neihthan’s first step into a larger world of denim.

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Fade of the Day – Hanzo CA-105-A (1 Year, 4 Months, 7 Washes, 8 Soaks)

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If anyone ever made a denim fade checklist (and believe me, we’ve thought about it), these jeans would tick all the boxes. Owned and worn by Fadlan Minallah from Indonesia, this pair of Hanzo CA-105-A has been taking a tropical beating for just under a year and a half, including being worn through many rainstorms and long periods of sweltering summer heat. The results are in the denim, and what is left of the indigo today is something to admire.

All that water means this isn’t the most contrast-y pair of jeans you’ve ever seen, but it doesn’t detract from the fades. You’ll see that the thighs and knees have lightened up significantly while still featuring some gnarly whiskers and honeycombs. The hidden back pocket arcs are popping through nicely, and you’ll even find some elusive train track fades running down the legs too. They’ve only required one crotch repair and patch job so far, and will surely live to see many more monsoons.

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Fade of the Day – Sage Ironhorn (6 Months, 1 Wash, 1 Soak)

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If you are a regular reader of our daily fade features, you surely know the Indonesian denim makers Sage very well by now. Today we look at a pair of 23oz. Ironhorns worn by reader Irfan Dewantara for just six months with some awesome evolution already starting to show.

Wondering how Irfan achieved such rad results in so short a time? We were too, until he told us that he wears these jeans up to twelve hours a day, often times traveling via motorcycle to wherever he needs to get to. The heavy weight of the denim is starting to mold to his legs and form big honeycombs and whiskers, with plenty of back pocket and knee fades already appearing.

If you want to keep up with Irfan’s denim journey, give him a follow on Instagram.

The post Fade of the Day – Sage Ironhorn (6 Months, 1 Wash, 1 Soak) appeared first on Heddels.

How to Date and Value Vintage Levi’s Type I, II, and III Denim Jackets

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It’s always with great care and respect that one speaks of a brand like Levi’s, a brand with such rich history and so many myths and legends attached to its name. The brand was founded by two European immigrants in America, Levi Strauss and Jacob Davis with their patent for copper-riveted jeans. The original use for the jeans was for miners during the Gold Rush–opportunists at the very bottom of the working class, venturing to California with very limited means, fighting the wilderness, each other, and deadly diseases eager to get a piece of the pie.

No one at the time could’ve had the slightest idea that the brand formerly known as The Two Horse Brand, would eventually grow so big that it could be seen on the likes of pop icons and presidents, let alone the entire world. Most people that I know have owned a piece of Levi’s in their lives. Although modern Levi’s isn’t the same as the Levi’s we know from the turn of the century or just the mid-twentieth century, the vision of the brand’s creators is still there.

A young Mick Jagger, an anti-fashion icon sporting a Levi's Type I. Image via LongJohn.

A young Mick Jagger, an anti-fashion icon sporting a Levi’s Type I. Image via LongJohn.

If Levi’s is known for one thing besides their jeans, it’s their jackets, which they’ve produced for over a hundred years. A century of truckers and blousons, however, has made for a multitude of models that many devote their lives to cataloging.

There’s no such thing as an official guide (i.e. provided by Levi’s) for dating vintage Levi’s jackets. Much of their original archives were destroyed in the San Francisco earthquake in 1906 and subsequent fire. One has to rely heavily on the knowledge of collectors and enthusiasts, communicating through cyberspace and sharing on various forums and blogs, their finds and findings. Sometimes incorrect, poorly written, badly translated or based on counterfeit products, these pieces of information are hard to trust, but that same uncertainty is what keeps the treasure hunt going, and what has kept it going for centuries now. It’s the existence of that grey area that allows collectors to transcend to transcend the academics.

Although an official guide would be convenient at times, it would also shatter some of the mystery attached to the Levi’s brand, as well as deprive us of the privilege of sharing the knowledge we’ve found. A heavily discussed topic already, this isn’t going to be the first, but we wanted to add to and improve the already available guides.

This article will help you sort and identify the types and dates of vintage Levi’s denim jackets from the three most iconic Levi’s designs:

  1. 506XX Blouse – later referred to as the first or Type I jacket (1905-1953)
  2. 507XX – also called Type II jacket (1953-1962)
  3. 557XX/Type III – referred to as the “Trucker” jacket (1962-present)
LVC reproductions of the three main designs: Type I, Type II and Type III.

LVC reproductions of the three main designs: Type I, Type II and Type III.

The Type I and Type III have both run for more than five decades. Their designs have seen several changes over the years due to brand innovation, shift in trends, wartime, manufacturing costs/efficiency etc. Aside from the condition and design (a rare design is naturally more sought after) of the garment, age plays the biggest role in determining the worth of a vintage Levi’s jacket. Below is a list of features to take into consideration when dating vintage Levi’s jackets, beginning with the first things to look for.

Design: Type I, II, or III?

First off, start by determining the design of your jacket. Authentic Type I and II jackets are very sought after by collectors nowadays and commonly sell on the second market (e.g. eBay) for $1,000 – $6,000 US Dollars.

Should you be lucky enough dig out one of these from the attic of an older relative, there are ways to determine its production age and estimate its worth, but I’ll get back to that in a bit.

Type III (1962-present)

The most common design is the Levi’s Type III jacket, also referred to as the “Trucker” jacket. Introduced in 1962, it’s arguably the most popular design of them all, having been re-interpreted by numerous contemporary brands.

The general design has been in production for Levi’s for more than 50 years, and over years of big growth, taking Levi’s from an American national treasure to an international conglomerate. The jackets are produced in larger quantities and due to their age, less likely to be in rags.

The following questions and steps will help you determine the approximate age of any given vintage Type III:

1. Does it have side / hand warmer pockets?

Levi's Type III Trucker Jacket Hand Warmer Pockets

If your jacket has four pockets in addition to the two chest pockets, it’s been produced around 1984 or later. That year, Levi’s produced jackets and other clothes for the American team during the Olympics in LA.

Jackets with side pockets will not have a capital “E” on the Levi’s Red Tab, located on the left chest pocket. If it does it’s likely to be a fake. If it doesn’t have side pockets, it could be older than 1984 and you can proceed to step 2.

2. Does it have a capital “E” (referred to as “Big E”) on the Red Tab?

Capital “E” (also referred to as the “Big E”) on the Red Tab

If yes, then your jacket is from 1971 or earlier. The Red Tab was introduced in 1936 as a mean of defending the Levi’s brand against copycats, mimicking features like the Arcuate on the back pocket of Levi’s jeans. The original Red Tab had “LEVI’S” in all capital letters on the front, no trademark and no writing on the back.

The design of The Red Tab was changed several times, with the trademark “R” and LEVI’S on both sides being introduced in 1950. But in 1971 the capital letters were changed so that only the “L” was capitalized. If your jacket has a small e-Red Tab and no side pockets, then your jacket was most likely produced between 1971-84.

If it has a Big E, then it’s starting to get interesting. These jackets are commonly found and are typically priced somewhere between $100 – $300 USD.

3. Does it have a care label?

Levi's neck patch with care label

Image via We Are Koalas Vintage.

Care labels were introduced by law to USA-made garments in 1971, the same year as the Big E disappeared. Quoted from the official website of the Federal Trade Commission: “To assist consumers in getting information about clothing care, the Federal Trade Commission in 1971 issued the Care Labeling Rule.”

I’m unsure about the crossover between the design change of the Red Tab and the care label introduction, but I haven’t come across an authentic Big E with a care label before. If you have a Type I or II with a care label it’s definitely either a fake or a reproduction from LVC – Levi’s own reproduction line.

4. Does it have an intact Levi’s label in the back of the inside neck?

levis-jacket-label-patch

If yes, and the lot number is readable (lower left corner) you can check the lot number. If it’s tagged “557” followed by “XX” then it’s older than 1971 e.g. 70505 (slightly longer, introduced around ‘68). The Type III jacket evolved from the 557 series to the 70505, 71205, 70518 and so on, as different fits and lengths being introduced over time.

To my knowledge, there were only two issues of the 557 series, one in 1962 and one in 1967. Go to step 5 and learn the easiest way to separate early 557 from later issues.

5. Does it have lemon-colored yellow thread in the bar tacks under the pocket flaps?

levis-pocket-flap-yellow-bar-tack

If yes, and your label reads “557” then you own an early version of the 557XX. The 70505 uses a navy blue/black thread color under its pocket flaps. Lemon yellow thread was phased out and replaced with orange thread as a main color, and around the late 60’s they stopped using it completely. Legend has it that Jacob Davis originally insisted that the thread should be orange to match the brand’s copper rivets.

Another sign indicating that you have a 557 and not a later issue is the size of the label. Even if the label has come off, which is the case with a lot of these jackets, you should still be able to see a mark from where the label was. The 557 label is bigger and not as rectangular as the 70505 and later labels. One exception is the crossover label of the “70505-0217”, in use from 1967-68. This is a very rare issue worth up to $500 USD.

The evolution of 557XX, Type III jacket-patches. Notice how the label get's smaller at the end of the 1960s, and notice the care label on the 70s labels. Image via Midwest Vintage.

The evolution of 557XX, Type III jacket-patches. Notice how the label get’s smaller at the end of the 1960s, and notice the care label on the 70s labels. Image via Midwest Vintage.

6. Does it have a one-digit stamp on the backside of one or more buttons?

If yes, then it’s likely to be an early example. All jackets have a stamp on the backside of one or more of the buttons, and authentic vintage Levi’s jackets usually have one- or two-digit stamps as opposed to the three-digit stamps found on later examples.

Later stamps indicated the factory in which the item was produced. E.g. 555 indicates the Valencia St Factory, San Francisco which was in use from 1906-2002. Common 3 digit stampings are 524, 558, 555, 554, and are commonly found on LVC reproductions.

"555" stamp on a Type II LVC jacket. Image via eBay.

“555” stamp on a Type II LVC jacket. Image via eBay.

Notice the stamps "0", indicating the authenticity of this early 60s Type III-jacket. Image via Long John.

Notice the stamps “0”, indicating the authenticity of this early 60s Type III-jacket. Image via Long John.

With the above tools, you should be able to somewhat accurately date your jacket Type III jacket if not to the precise year, then at least get an idea of its worth and consequently bring it to a collector to look at. Many collectors can tell much more by touching and feeling the jacket and inspecting the denim for imperfections associated with vintage looms. Other details like the thread (older thread being cotton, then replaced with poly-blend), rivets, etc. can also help hone in on a date, but that all gets slightly complicated to determine from photos.

Type II Jacket (1953-1962)

A killer vintage Type II jacket. Notice the short and boxy fit. Image via Long John.

A killer vintage Type II jacket. Notice the short and boxy fit. Image via Long John.

Before the Type III, there was a style called 507XX, also known as the Type II. If you have an authentic Type II jacket it’ll bring in between $800 – $1,500 USD on eBay. General characteristics include:

  • Two chest pockets
  • Pocket flaps
  • Selvedge inside placket
  • Knife pleats
  • Bar tacks instead of rivets, on pockets under flaps
  • Rivets on cuff vents
  • Leather label (first editions, then replaced by press card)
  • Iron buttons (silver color)
  • Back waist tabs, no cinch-back

The design of the Type II didn’t vary significantly throughout the course of its issue. The closest marker of its date is the patch label.

Leather label on a Levi's Vintage Clothing repro 1953 Type II denim jacket. Image via End.

Leather label on a Levi’s Vintage Clothing repro 1953 Type II denim jacket. Image via End.

If the label remains, and it’s made of leather then your jacket is an early issue of the Type II jacket. Sometime in the 50s these leather labels were replaced with press card labels as found on the later Type III jackets. If you have a leather label issue it’s older and worth more money.

Look out for fakes or reproductions sold as vintage!

An authentic vintage Type II jacket should feature:

  • Red Tab should have a trademark “R” and writing on both sides
  • The main thread color should be lemon yellow.
  • One- or two-digit stamp on the backside of buttons*
  • Authentic wear to the denim
  • Selvedge inside front placket (and only there!)
  • Fit should be short and boxy (not modern)
Customized Type II jacket. Notice the writing on both sides of the Red Tab. Image via Long John.

Customized Type II jacket. Notice the writing on both sides of the Red Tab. Image via Long John.

*If it has a three-digit stamp on the inside of a button, e.g. “555”, the jacket is an LVC reproduction and should be sold as such. These are still nice jackets, but they’re no collector’s pieces.

Type I Jacket (1905-1952)

Type I Jacket (1905-1952)

Image via eBay.

Levi’s introduced the 506XX Blouse or Type I to the market in 1905 as the first jacket in the XX-range. There are many speculations on what “XX” actually denotes, including the meaning unsanforized or hidden rivets, so I wanted to clear this up for the people in doubt with a quote from Levi’s own website:

“In 1873, Levi Strauss and Jacob Davis first introduced their classic blue jean. However, by 1890 their exclusive patent for riveted clothing had expired, meaning that other companies could use the same construction. In response to this impending competition, Levi Strauss & Co. printed the inside pocket bag with information about the garment’s originality and extra strong denim — referred to as “XX” (…) Made with XX denim from the Amoskeag Manufacturing Company, the 501® Jean remained at the head of the class and set a new standard for American workwear.”

The 506XX blouse was referred to as number one from 1917 onwards, and the name was changed from “blouse” to “jacket” in their 1938 Western catalog, Dude Ranch Duds. Levi’s made a total of 6 versions of this jacket, dated respectively:

  1. 1905 – Original issue
  2. 1928 – Pocket flap introduced
  3. 1936 – Red Tab introduced, but without “R” and “LEVIS” only on one side
  4. 1941 – Pocket flap removed during WWII, donut buttons introduced etc.
  5. 1944 – Cinch-back slider introduced
  6. 1947 – Pocket flap reintroduced

If you are in the unlikely situation that you own one of the above-mentioned jackets, then it’s worth a lot of money. When it comes to price though, age is not always the most important factor. Rare, unusual issues, like those from WWII are sometimes higher priced than those from the 1930s. But regardless of its exact age, if these characteristics sum up your jacket, I’d suggest you take it to a vintage expert to have it appraised.

The placement of the pleats and the shape of the pocket flap changed over the years, amongst other things like the fit. General characteristics include:

  • One left chest pocket
  • Riveted pockets and cuff vents
  • Knife pleats
  • Selvedge detail inside the front placket
  • Cinch back / buckle back at lower center back as opposed to waist tab buttons on the Type II & III

Regardless of its exact age, if these characteristics sum up your jacket, then I’d suggest you take it to a vintage expert to have estimated and looked at, it’s most likely worth over $1,000. But below are some questions to help you further determine the date of your jacket.

1. Does it have a bronze cinch back slider?

Bronze slider cinch-back on late 40s Levi's jacket. Image via eBay.

Bronze slider cinch-back on late 40s Levi’s jacket. Image via eBay.

If your jacket has a bronze cinch back slider, as opposed to a silver one (early silver ones had pin teeth instead), then it’s later than the 1944 issue when metal was being rationed by the US government due to WWII. The bronze slider buckles were also used after the war ended, until the cinch back was replaced with waist tab adjuster buttons on the Type II pattern in 1953. If it has a silver buckle (slider or pin teeth) instead, then skip to step 4.

2. Does it have a pocket flap?

1947 issue of a Levi's 506XX (Type I) jacket with an Indian embroidery on the back. Slider back buckle, Levi's buttons as we know them from today and patina-ed fades.

1947 issue of a Levi’s 506XX (Type I) jacket with an Indian embroidery on the back. Slider back buckle, Levi’s buttons as we know them from today and patina-ed fades.

If your jacket has a pocket flap and a bronze cinch back slider, then it’s likely to be from the late 1940s (possibly 1947) when the war was over, and the pocket flap reintroduced along with the bronze cinch back slider. This was the last issue of the Type I jacket.

3. Does it have silver-colored (iron) donut buttons?

Laurel leaf-donut button on a WWII-issue of a Levi's 506XX (Type I) Jacket. Image via eBay.

Laurel leaf-donut button on a WWII-issue of a Levi’s 506XX (Type I) Jacket. Image via eBay.

When American manufacturers rationed metal for WWII, casting a button with a hole in the middle (referred to as a “donut button“) used significantly less material. Some donut buttons were adorned with a laurel leaf design which is a symbol of peace and triumph of the human spirit, some were stamped with signature Levi’s, and some were bare.

4. Does it have a silver slider with pin teeth?

LVC 1936 Type I repro jacket back cinch. Image via A Suit of Tools.

LVC 1936 Type I repro jacket back cinch. Image via A Suit of Tools.

If your jacket has a silver slider with pin teeth, and the features from steps 1, 2 and 3 – then your jacket is very likely the 1941 issue. If not, it’s from 1936 or earlier.

5. Does it have a pocket flap, silver pin teeth cinch-back and standard Levi’s buttons?

If your jacket has a pocket flap, silver pin teeth cinch-back and standard Levi’s-stamped buttons (as we know them from today), then your jacket is from 1936 or earlier.

6. Does it have a Levi’s Red Tab?

As previously mentioned, the Red Tab was introduced in 1936 to combat copyright issues. The 1936 issue of the 506XX, Type I jacket, was the first with a Red Tab. So if you have a tab and the features mentioned in step 5, then you probably own a 1936 issue. If there isn’t a Red Tab (check if it’s maybe fallen off), you might have an even rarer issue from 1928.

7. Does it have a slightly lower placed left pocket with no pocket flap and no signs of a Red Tab (and does it look extremely old and battered)?

If this is the case, then you might be the lucky owner of the first issue of the infamous 506XX Blouse. According to Levi’s Guide, buttons from 1902-1928 were black donut buttons stamped with “Levi Strauss & Co.” and no country of origin (S.F. Cal.)

The closest thing I could find to a 1905 issue of the Levi's 506XX Blouse. Image via Google.

The closest thing I could find to a 1905 issue of the Levi’s 506XX Blouse. Image via Google.

Bear in mind that Levi’s did introduce another and slightly cheaper line of jackets, called Lot 213, that didn’t make use of the signature XX-denim. They had a very similar design and are also highly sought after by collectors.

For example, last year a 20s-30s version was sold on eBay for $3,000 USD. Without the label present, it would be hard to tell these jackets apart without being able to feel the weight of the denim in real life.

Excerpt from a Japanese book on Levi's, here showing an example of the Lot 213-line. Image via Pinterest.

Excerpt from a Japanese book on Levi’s, here showing an example of the Lot 213-line. Image via Pinterest.

If you’ve come this far then you’re either the lucky owner of a museum piece of clothing, or you’re just really interested in the questionable historical facts found on the internet surrounding Levi’s and their origins.

Regardless of your motives, if you know more than I do, please comment away, and we will be happy to include you and your knowledge in the post to get the most accurate descriptions of the jackets.

As mentioned in the introductions, a lot of these facts are based on other collector’s findings and translated from other languages. These sources base their knowledge on their respective research and are not approved by Levi’s themselves. However, we hope they are helpful in your search.

The post How to Date and Value Vintage Levi’s Type I, II, and III Denim Jackets appeared first on Heddels.

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